Jungle in the Park
One of my best friends had her birthday and decided to celebrate the date in a Cinderella-restaurant, the new concept in which at midnight a place that serves meals is transformed, without fairies or “Bibbidi-Bobbidi-Boo”, into a nightclub. From ten at night the music goes up in a not very subtle way and we are limited to talking only to our neighbors next door, those right next to us. That at ten, because at eleven we can only get them to hear us if we shout at them with our mouths inside our ears. It’s an interesting experience for a person as talkative as me, because I found myself for the first time thinking before I spoke: “Do I really have to share my opinion about iceberg lettuce?”.
When midnight came, they sang happy birthday to my friend and ten other people who had their birthdays on the same day, and brought us the bill, even as if to say “let’s hurry up because this is now a dance floor and you sitting take up much more space.” When I looked at the bill I realized that I would pay approximately 5€ for each berry of arborio rice in my lime risotto, but I didn’t comment to anyone; At that moment the only way to do so would be by text.
We paid, got up and started the dance part. Not being the most coordinated person in the world, I love to dance and it’s been a few years since I set foot in a disco (there are so many that you shouldn’t even say disco anymore, is it the equivalent of my parents saying boîte?). Well, the truth is that given the time I was absent from a place of such nature, I no longer remembered the jungle that comes to life throughout the night. It is a true “BBC wildlife”.
To begin with, we have Homo Habitualis. Not to be confused with Homo Sinistrus who, being also a regular visitor, stay just in a corner to observe their prey with the eyes of someone who was a vegetarian until that moment. Homo Habitualis, on the contrary, dominates the place as if he were one of the partners, not least because, with the times he goes there and the money he has already spent there, it would surely give him to acquire a share in the company. Homo Habitualis glides down the track deftly through a compact sea of people, when most of us feel like we’ve exchanged DNA with ten individuals just on the way to the bathroom. Homo Habitualis knows all the songs, knows the lyrics by heart even if they are in different languages and raises his arm a la fascist as soon as he hears the first chords, as if each song were the most awaited by itself. Homo Habitualis is an attentive and fearless predator, looks at prey without hesitation and does not let itself be discouraged when one of its forays does not prove fruitful.
Then we have Homo Pilaris, the one who approaches the group of females and sticks together more and more, eventually finding a place and gaining roots, just occupying space without ever dancing. Homo Furis uses the same technique of approximation as Homo Pilaris but when it gets close to the group it tries, at all costs, with more or less skill, more or less respect, to enter the closed circle.
During all these attacks, the prey that did nothing to be so (the opposite will say the Numeiros of this life), dance in an increasingly closed circle, ending up almost hugging only their eyes – a technique widely used in the animal kingdom to escape predators.
At half past one in the morning, after a sufficient dose of eye dancing and eardrum-piercing music, I went home, but the truth is that I left my Jungle in the Park night wanting to dance for real, with space, with good music and without feeling like I was being narrated by David Attenborough.